#i liked everything except the plot i think

[alpaca-clouds]

Arcane Season 2 - How Bad Pacing Can Ruin Everything

So, Arcane season 2 ended. And I am sorry, I need to vent.

I am honestly not sure whether the rumors are true and this were originally meant to be more seasons. The Riot CEO apparently denies it, but then again, I have seen CEOs confidently go out on stages to talk about a project which they knew was cancelled at that point in time. So, sorry, but I will never ever trust a CEO. Lying is like 50% of their jobs. Being greedy is the other half. Sorry, not sorry.

I am gonna write something about disability in Arcane (overall) during the next few days, but let me just talk a bit about the pacing issues of season 2.

Spoilers for season 2 - all of it - obviously.

Believe me or not, but I know the exact issue of Arcane season 2. It is called: Too many characters. Too many plotlines. It is something that easily happens when writing an ensemble story (no matter what the format is you publish the story in - it happens in books, movies, shows, games). At times it works fine if you manage to weave the entire ensemble into the same main plot. But as soon as you wanna give everyone their own little storyarc with a bit of their own themes, it often goes haywire. Either you will end up dropping some characters to the side and not properly finish up their story, or you will end up rushing everything. Neither is gonna be good.

Here I am mainly thinking... Was the entire Black Rose/LaBlanc stuff planned to be there from the beginning? Was it put in later? I mean, given that the entire story felt like it might set up Mel as a Champion for LoL... How do I put it? Mel was too overdesigned in the show, to not be a future Champion. That was my feeling from the beginning. I don't know if they gonna make her a Champion, but man, it feels like it.

But no, the main issue really is the pacing. There is just too much stuff happening.

I will remain, that the thing that shows this better than anything was the second "arc" of season 2. Episode 4-6. And the general way the entire Caitlyn, Vi, Jinx thing plays out. We have the following things happen in the first six episodes of season 2:

Cait's mother dies

Cait swears revenge and asks Vi to assist her as an enforcer

Vi does not want to. Ends up getting drunk.

Vi decides to do it anyway.

They do a bit of chemical warfare for good measures.

They go down there. Fight Jinx. Vi cannot do it - partly because Isha.

Cait breaks up with Vi and becomes the evil fascist dictator

Vi becomes an alcohol addict.

Except, never mind, Caitlin is already feeling shitty about it next episode.

Jinx gets Vi and Magic Pixie Dreamgirls her out of her new-found addiction.

Jinx and Vi are good again. They go help Vander.

Cait meets Vi for the first time since the break up. They instantly are back on the same page.

Like, there is so many plothooks in this storyline alone that do go completely unexplored.

There are two characters here, that do play a role in the last three episodes too and that felt like they were some proper characters at some point. Those two are Maddie - the Scottish-dialect enforcer girl - and... Frankly, I do not feel like looking up the name. The big burly one, who after the break-up takes care of Vi.

Those two feel like they were at some point meant to be more real characters. But because of the pacing, they are barely ideas. Maddie starts making out with Caitlyn because...? I don't know. Because I literally do not know anything about this character but "she is an enforcer", "she is queer", "she is attracted to power(?)", and thats it.

And the other guy goes with Vi because... Uhm... I don't know. I know literally nothing about this chaaracter other than that he is big and an enforcer. *shrugs*

It most certainly feels like there was some planned version of this show, in which Cait and Vi both had a proper corruption arc. In which we really saw the two of them struggle. In which we actually saw Piltover and Zaun under the control of Commander Caitlyn and Noxus, and saw the horrible things they were doing and what it was doing with Caitlyn. In which we also saw Vi struggling with addiction and stuff.

But that was not the version we got in the end. Instead in this version... things go magically well.

Hooray?

Same with Jinx. Her mental health issues just magically get better when Isha is there, because that is what the story needs to happen now.

Here, too, it also feels like huge chunks of the story are missing. It feels like there was a story going more into the relationship of Sevika and Jinx for a bit. But if that story had been there once, it was most certainly no longer there. It was hinted at, yeah, but that's it.

And then there is the entire magic plot.

Look, I think among the fans of the LoL Lore I am not the first one to say: "Yeah, trying to marry the worldbuilding of Arcane to the established Runeterra worldbuilding does not work, because of the magic." Runeterra so far was always a fairly high magic world - at least that was implied by comics and short stories. Magic was a common thing in this world. Otherwise we could not have that many magic champions and a whole place whose entire thing it had been: "We are anti-magic Nazis building mage concentration camps!"

When Riot said, that Arcane was now the main canon, A LOT of fans of the lore were like: "You get that it is not gonna work." And yeah, Arcane Season 2 clearly shows how it doesn't work.

Because the way they put in the entire "Mel is magic, also the Black Rose is a thing" stuff just... It did not fit in the entire plot around it. Because Arcane had been designed as a world where magic was very rare and strange. But now Mel had to be magic and somehow had to be connected to the Black Rose.

Also... What the fuck even happened there in the end? Why put that in? Why make Mel go against LaBlanc? I am sorry, but that was simply too much for this plot. The entire Black Rose stuff stuck out of this plot like - pardon the pun - a thorn.

Generally there are several relationships that feel, like they had at one point been a whole more explored, but then got dropped to the wayside.

As I said, Sevika and Jinx are definitely an example. Ekko and Heimerdinger as well. I also feel like what was episode 7 of the show was probably originally more than one episodes and slower paced - though it still to me was the one episode in this, that kinda worked in of itself. And that the Ekko and Jinx relationship was better established.

I also feel that Viktor and that echo of Skye was probably at some point supposed to actually have talks. Like: "I will miss talking to you." - "No, you won't." Okay? THEN SHOW ME THEM TALKING PLEASE?!

Which kinda brings me down to the main thing that happened because of the pacing issue. Season 2 of Arcane knew only two extremes in terms of "Show, don't tell". Either it goes full "music video" in whcih indeed it just shows us shit without context or dialogue - or we get the information just via dialogue, in a complete tell.

This also shows in the last episode, with the entire thing of Piltover asking the Zaunites for help, after brutally surpressing them forever. Yeah, I see where they were going with this. About being the bigger people and planting seeds and what not. But frankly, there might have been a time and space for a story like that, if properly told (you know, with giving more of the Zaunites a voice in this story, showing more of the conflict and spacing this plot out over several episodes). But a) it was not properly told, and b) a world in which several genocides happen while Trump somehow won a second term is not that world. Yes, b) is not the fault of anyone working on Arcane. That was simply bad luck on their part. But a) is very much their fault - and even if we did not have a Palestinian Genocide and no second Trump term: Without a) being done properly, it would not have worked. It would have just not felt quite as miserable.

You know, the most frustrating thing about this was, that... While I think that one way or another I would still have hated how the show handles the topic of disability (again, I will write about this during the next few days), I generally might have liked the same plot, if it had been given the needed space to breathe.

Like... Sure, I would have never really been on board with "fascist Caitlyn", or rather with "fascist Caitlyn, who gets then forgiven by everyone". But I could have somewhat swallowed it, if that forgiveness had to be earned. But because of the breakneck speed of this show, it never got earned. I am not even talking about redemption arcs here - those are always a headache - but specifically about the fact that Caitlyn gets instantly forgiven by everyone.

Also, lol. The entire thing with Ekko convincing Jinx to come along off-screen. That was unelegant.

Heck, it feels in the first four episodes, as if there was an arc being set up for Sevika in general. And it feels like that arc needed to happen, given that Sevika ends up on the COUNCIL OF PILTOVER in the epilogue. However, that Arc just does not happen. Then, like... why set it up?

That is general the issue. There is a lot of set-up and very, very little payoff to any of it.

And here is the thing. I have heard people argue about whether or not this was meant to have more seasons. But frankly: I do not think that the writers who wrote season 1 would have written this story this way had they known it would be two seasons.

Mind you, compared to some people I would not rate the writing in season 1 higher than maybe 6 or 7 of 10. It was solid, but not overwhelmingly great. But season 2 in comparison is a 2 of 10, maybe a 3 of 10, if I am being gracious.

And frankly, I do not think any writer, who is in any way worth their salt, would write a story where a main character goes evil, and then do exactly nothing with it. I mean, sorry, us writers, we are a dramatic bunch. And we will not resist the drama being served on a silver platter unless we are forced too. I cannot imagine a single writer, who will go with the end of episode 3 and then not write a bunch of angst with Caitlyn and Vi - unless they were forbidden.

And mind you, CaitVi is by far the ship I am least invested in. But it is simply such a glaring example of where the plot is rushed in a way that it hinders the character arcs.

Oh, and also... Lest. Lest in the first six episodes clearly felt like a character, who was going to play a role. Only to then disappear to not be seen again during the finale. What happened to Lest? Is she dead? Is she alive? I guess we'll never know.

*sighs* I am sorry. I really am. I am just... very disappointed. This has been a mess. And I think it would not have needed to be.

Like, the animation is still the most pretty thing ever made in the world. But man... The plot? The plot sucks balls. And not in the sexy way.

[blitzsicedcoffee]

I have noticed a pattern and I do not know what to make of it.

I don't know if it's just how like plot progresses over a day in Helluva Boss.

But every single thing that Blitz goes through, he always starts the day extremely cocky, his normal fucky boy silly self.

And then as soon as it gets night.

He is a mushy Mess. He falls apart. His emotions are on his sleeve. He can't hold them in. He cries at the littlest inconvenience or something not going as planned. It reminds me of before I was on medication lol. Except I would cry at everything the WHOLE day.

I think it's emotional regulation problems and night is a big trigger. After Ozzie's, OOPS, Full Moon, Harvest Moon Festival, and Apology Tour. I'm sure there are many more examples to be found. He starts the day fine, standoffish, able to defend himself and his bearings. And once it's night he just crumbles. He admits feelings. He lets out tears.

It's like he can't have those feelings in the morning, only at night. It's just interesting to me.

[roseadleyn]

i can't stop thinking about how in the end of the queen of nothing, jude says that neither her nor cardan know how to be happy. they don't know how to live without lying and scheming and fighting and plotting: with each other and with other people

so now imagine jude and cardan after the dust has settled. they wouldn't know what 2 do with each other. like just imagine them now getting to know each other. it's like they've never met because ofc they still bicker and everything, but they are married and they just fought and almost died for each other. and yet jude can't say what's cardan's favorite color and cardan doesn't know her favorite snacks

with the court of shadows as matchmakers it starts turning into a whole ass romcom. one night jude wakes up and cardan is just pacing the room nervously and she immediately panics and thinks something is wrong but no. cardan is taking her to one of the places he used to hide in as a little kid and he's. stressed, to say the least

it's one of the rare times jude gets to see elfhame without some pressing responsibility on her mind. she worries about the state of the palace in the hours they're gone and cardan tries ( as well as he can ) to reassure her that the court of shadows is there and she can let the court go for like,, 2 hours. and then jude is a little quiet and she's just staring around her like yeah this land that she has given her life and body for is so beautiful. she knows about cardan's mother, so she tells him about her own.

anyway i'll go more into depth later but like. it's a very rocky journey. jude sleeps fitfully and has nightmares; cardan tries to avoid sleep by getting drunk. jude's from the human lands and tells cardan to sober up. they both kinda just hold each other during a really bad night. cardan finds out balekin made jude kiss him and is so ashamed and shocked and horrified he can barely look her in the eyes except mutter apologies

cardan also persuades jude to drink btw. she's a very clingy drunk ( not weepy, she's not emotional or anything but she refuses to let go of him )

[idkjustlemmedrownlikerab]

Why Regulus dying was crucial to the plot of Art Heist Baby!

It really pisses me off and people say "Omg it's so sad that Regulus never finished the heist, why did the author have to kill him?! He never finished his life's purpose" No it's not,  because that wasn't what he wanted in life, he achieved everything that he wanted.

The story doesn't work if Regulus lives. Art Heist Baby isn't about the heist. I mean it kind of is, that was what drew me into the fanfic, why I read it. But, as I read it, I realized that it's not about the heist, it's about love, it's a love letter from @otrtbs, the author, to art history and to the fandom, and about the love of found family, brothers reuniting, and falling in love and all the sappy stuff.

But Regulus and the readers by extension, have always thought that it's about the heist, that it's about the infamy and being remembered, and that's how he lives forever, the heist gets him his brother back, the heist lets him live forever.

But then in Copenhagen, when he's literally dying, he's having this internal monologue, like, maybe I failed this heist and it's not successful and I didn't do what I wanted and I wasn't the best person, but I was loved,  I am loved and I have loved back, he says that he knows he can take that love with him wherever he goes, even if he's a damn star in the sky, it doesn't matter. He's taking that love with him, it lives on, and that is its own form of immortality. That's what Regulus had been searching for this entire time and even after Regulus dies, James is still there, and Sirius and Barty and Evan hell all the others in the team, and it's like even death can't defeat that kind of love. We see James talking to Regulus every night and recounting memories and keeping Regulus alive in a way, which is what Regulus always wanted!!!! Just not in the way he thought he was going to get it.

I mean, otherwise what's the alternative? Regulus lives and he's happy with James, and maybe that's better than living on an infamy and better than the heist because, well, he's actually alive, but it's not just about love. Regulus and by extension, the reader wouldn't have this moment of realisation like, oh, it's love, love is the answer. Love is what makes all of us a little bit immortal for a little while. That's what it's all about in the end. Not the money or fame or notoriety. Just love. And Regulus dying feels like it was the best way Nat could have driven that point home. Like plz look past the heist, what else is there?

Because Regulus spent his whole life thinking that this was his goal. Just one more heist, that's what he'd always said right? One more heist, this is the last one. This is it. He'll have achieved everything he's ever wanted. Except, it's not what he wanted. Because throughout the story, he gets his brother back, he gets Sirius back in his life after spending years in silent mourning dangling just as precariously as the daunting Degas in the bathroom, he gets his brother back. He sees Barty and Evan who have spent their whole life going back and forth, finally getting together. He watches them grow up and grow together, and he spends his entire life with them. He brings together this group of strangers, this ragtag team of random people that applied via a fucking poster about a lucrative job and watches them bond. He watches relationships form, he connects with the Remus through annotations and books and a shared love for Sirius, he organizes dorlene's proposal and wedding!!!!

He bonds with all these people that he never would have met if he led a normal life, and then he meets James. He meets James Potter, who teaches him everything, who lets him borrow his bravery and shows him that life could be so much more if he wanted it to be, which he does.

"I love you, that's all." His last words, love, that's all. Not the heist, not the drop offs, not the money or the fame or the glory. Love, that's all. He started getting involved with the heists to feel loved, to get the attention that Sirius got from their parents growing up. Some superficial kind of love, and his life ends after he gets real love, platonic and romantic. Love, that's all, not the heist. He died with everything he knew he always wanted but never had the bravery to attain until then. That's why he said maybe he hadn't lived a long life but he lived the best life he could have.

Nat literally told us the reason with Regulus' last words and all of us decided to turn a blind eye to it, yes, yes ik it was heartbreaking to see him die and not live in the house in Brazil with James but we do see them meet again in the epilogue don't we? And let's trust Regulus and the author both when they said

"in every lifetime?"

"in every one."

[lexirosewrites]

A Slick Sunday thought (if not for this week then for the future)

I really enjoy exploring the medical concepts related to the omegaverse but I also really love exploring them in the specific concept of the setting. And I have thoughts about 80s medical knowledge and diet culture.

Basically, I like the idea that Omegas need certain conditions in order to be healthy and fertile. I like the idea of them needing to feel safe (high adrenaline and cortisol levels functioning to basically pause their reproductive cycle) and I like the idea that (heat being a pretty physically demanding bodily function) Omegas also need a higher body fat percentage in order to have heats. (Heats also cease much more easily than normal female menstruation. An Omega can technically lead an otherwise perfectly healthy life without presenting or experiencing heats. Heats historically could prevent an Omega from being able to eat and expend a great deal of energy and thus Omegas adapted so that they could not go into heat without enough fat in reserve to survive fasting completely throughout. This is not a healthy practice but it is survivable.)

But I don’t think that that would be well understood in the 80s. Our understanding of hormones and nutrition have changed pretty dramatically over time and the common public perception has very rarely actually lined up with that understanding. And diet culture in the 80s was very much present.

Thus, a crisis for suburban mothers to clutch pearls over. Fewer and fewer presenting Omegas and heats few and far apart! What could cause this? The threat of nuclear war? A communist plot? (The diets. It’s the diets and the weight related bullying. And a little bit the threat of nuclear war. Give your kid an ice cream and stop letting them watch the news.)

Anyway, peering into this world we observe Steve Harrington. Who presents after he starts working at an ice cream shop. (Mostly because he was too stressed before. A little because he hit some ill-timed growth spurts. Male Omegas often present later because they stop growing later) But at Scoops he’s as relaxed as he’s been in a long time and he’s eating more and exercising less and as tall as he’s ever going to be. So finally conditions are right. And now Steve knows he’s an Omega. And then the Russians happen. And his heats stop. And he’s not entirely sure that it’s not something the Russians did to him. (Doctors said everything was fine. There’s no reason he shouldn’t be having them. (Except for the trauma. And stress. The stress experienced after the trauma. They haven’t really figured that one out in the 80s either.))

So Steve is pretty sure he’s just broken. And will just have to take out all of his thwarted Omegan maternal instincts on the Party. Who hate it. (They love it) And complain about it vociferously. (Because they’re teenagers) Especially to the super cool older teens they hang out with. (Eddie’s merry band of nerdy social outcasts) And Eddie is… intrigued. Eddie may also have gotten a little too into all the courtly love fairytale shit a few years ago. Eddie is determined to woo the babysitter with shows of chivalry and gifts of food. Eddie is not the least put off by the fact that Steve can’t be a “traditional Omega”. Eddie would love to share Steve’s heats and give Steve all the pups he desires, but he doesn’t need it. He mostly dated Beta guys before anyway. He’s the opposite of turned off by finding out that Steve is a monster slaying badass. He is down to make Steve the Eowyn to his Faramir.

Steve doesn’t fully get his heat cycle back until the Party have all flown the nest for college. But by the time they’re home for Christmas he and Eddie have an announcement to make.

YESSSSSSSS🥳🥵🥰🥺😮‍💨🔥🔥🔥

[dresh-rx]

Thinking about the time me and my homies roleplayed the ninja in primary school back in around like 2014 during a camp trip and

I was Lloyd for like 3 days right-

Once i was late to our little cabin from idk just walking around near the forest, and all of my fellow ninja classmates (it was Kai who started it, Kai i remember you!!!) decided to start plotting:

"GUYS, LETS BEAT LLOYD UP HE'S LATE!"

And everyone joined in-

And once i returned to the cabin, I kid you not, witnessed Kai, Cole, Jay maybe except Zane all pop up from nowhere, chanting all in unison:

"BEAT HIM UP! BEAT HIM UP! BEAT HIM UP!"

And then they jumped me like it's jjk and started beating the shit out of me with pillows-

And it turned into the best pillow fights of my life

And best thing is-

When everything was in chaos and pillows were flying everywhere like my last braincell on a friday night, and i was being jumped like it's the tournament of elements,

Zane is just sitting it the middle of it

He's just sitting on a bed,

Legs crossed,

And in the most zen way, with feathers and pillows flying over him, sits with the meditative expression on his face.

And slowly eats his bag of chips...

[tanoraqui]

now that this fic is all published, I can ramble about the things that happen afterward in the timeline! Feel SO free to ask about anything you want more details of.

First off, all three posts about Dave the Balrog are 100% canon to this au, except for where they sometimes contradict the fic's worldbuilding or plot bc I hadn't settled on every detail yet. Also, Dave’s name is probably more like “Drav”, from the Sindarin “drava-”, “to hew.”

That happens much later, though - about 1980 TA. FIRST, immediately, as Celebrimbor says: it's time to save the orcs!

That is, wildly self-indulgent crossover with @ceescedasticity's fic(verse) elves, once, which isn't 100% my headcanon for orcs but it's essentially canon for this au because it makes everything VERY FUNNY in a tragic irony way. I've thought about this so much that it really deserves its own bullet-point post, but highlights include:

- Annatar attempts to conceal the fact that Curufin and Celegorm are orcs, and, y'know, have been since they died. This works until Celebrimbor identifies a bunch of the orc army's weapons as made by his father, even if the style is strange and fell, and the two of the have a HUGE fight in front of representatives of every Elvish kingdom in Middle Earth and most of an army of orcs.

- Bellow/Turgon is having the single strangest, most uncomfortable road trip of his life, and he counts the crossing of the Helcaraxë in that total.

- Turgon tries to convince Galadriel to take Celebrían and Elrond and get out of here, because inevitably this must be a cruel trick and all the orcs will be forced to turn on all the Elves. Galadriel is like, "Honestly, I've been watching Celebrimbor's slow corruption and Sauron's slower un-corruption for about 2,000 years now, and I think we actually have a shot at this. Also, bold of you to assume you can beat me in a fight."

- Curufin and Celegorm had BOOKED IT when Annatar's summoning-compulsion snapped, on the reasonable assumption that any plan the Dark Lord had for them + Celebrimbor could only be cruel to the extreme...so Celebrimbor and Annatar go on a bonus road trip to retrieve them.

- Everyone meets up by the Sea again, but instead of taking (or, obeying) the offer of escape into Ulmo's hands, Turgon and probably a bunch of other orcs volunteer to come help break the Crucible. They Deserve This.

- In the end, as usual, the day is ultimately saved - as are the souls of thousands of trapped elves - by the power of love and overwhelming violence.

AND THEN...

Celebrimbor & Annatar don't actually rebuild Ost-in-Edhil and Eregion as they were. Those days are over, and also the surviving Númenoreans kinda...regard Annatar as Absolute Evil, for some mysterious reason. And those who knew about the whole or even partial conspiracy - namely Tar-Miriel herself - aren't too keen on Celebrimbor, either.

They leave whoever wants to stay and rebuild in Eregion, leadership tbd based on the traditional system of craft-based meritocracy, and take a few decades off to lay low from geopolitics, work on their marriage, and for Celebrimbor to learn a little bit of necromancy so he can manipulate his own fëa and hröa, thank you very much.

They stay with the Witch-Queen of Calador for a while, discreetly because officially that kingdom is also not on good terms with its “former” evil-ish overlord. (The Witch-Queen of Calador and her not really sane, almost certainly unsafe, but arguably consensual relationship with Annatar really deserves her own post, too. She’s my favorite OC of this au. She really loves bats.)

Elrond & Celebrían get married! Elrond always knew his wedding would have to involve stopping drunken brawls from erupting between people who love him but hate each other, but he’d assumed it’d be Iathrim and Fëanorians, not an elderly Queen Miriel going for Annatar’s eyes with a butter knife.

Annatar regards the birth of Elrohir and Elladan with some concern, this alarming lineage now augmented by the blood of Arafinwë (cut off Melkor’s foot) and Galadriel (Melian’s pupil, hates him). But that’s nothing to how freaked out he is by Arwen, who is such an obvious Reprise of Lúthien that it’s now CLEAR that this was all a Melian scheme to assault him, personally.

He can’t just kill her now—Elrond and Galadriel and both right here, not to mention Celebrimbor. And then she’d absolutely be his enemy when she Returned… No, the only solution is to stay in Imladris for a while and become her most beloved uncle whom she would not dream of assaulting, whom she could not bring herself to injure even if circumstance and conscience forced her hand. Love has ever been the undoing of Melian’s line. The Reprise is obvious, but not so established that he cannot twist it into irony, Lúthien’s heir as his devoted student and companion rather than foe.

[smash cut to late 3rd Age Annatar watching the Music settle into place as Arwen interacts with the newest, currently toddling scion of the House of Elendil and nearly killing the child right then because no, no, thats not how this was supposed to Reprise—that’s his jewel of an elf-queen, Singer and trade-manipulator and niece, and he’s going to lose her forever? Killing the brat won’t even work, that would only make her follow him sooner, one way or another—]

Celebrimbor doesn’t want to build a city (and have his heart broken by the loss of the city) again, but he very much does want to ImproveThe World, and also to Make Things With His Hands. So he and Annatar, and whoever of the Gwaith-i-Mírdain wish to join them, set about… “Traveling” is too loose a term; just because they’re not city-building doesn’t mean anyone here wants to live on the road. They need workshops, forges, and ideally a maia-sized cat tree tall tower from which to survey their domain. They are a highly skilled work crew/technical, artistic & management consultants who change cities every 5-200 years, throughout Middle Earth and perhaps even other continents.

This what Celebrimbor and Annatar do, for most of the rest of their time in Middle Earth. A few of the Mírdain travel with them all the time. Others strike out on their own, or in similar small groups. Others stay in rebuilt Ost-in-Edhil, or Rivendell or the Havens or another Elvish kingdom, and come lend a hand when their particular talents are called for. Everyone who “died” in Númenor and was “resuscitated” by Annatar walked away with a strengthened, basically permanent osanwë connection to the simulated workshop group chat, which they’re aware of, and a location tracker and fëa-stamp saying “PROPERTY OF MAIRON, FUCK AROUND AND YOU WILL FIND OUT” which only an Ainu could detect.

They're the mysterious stranger(s) who accept an offer of hospitality on a stormy night and reward you with a magic ring that blesses your farm with fecundity. They arrive in a city in the middle of a cholera outbreak and inform the local rulers that they're here to overhaul the whole wells & sewers system in exchange for room and board; no, the local rulers do not get a choice in this. One time they do oust an evil ruling dynasty and just kinda take over the kingdom for a few centuries, but then Celebrimbor starts to get paranoid of his own growing attachment so Annatar reluctantly agrees to find and raise some honorable candidate for kingship [gender-neutral]. One of the Mírdain with them says, what about the choice of the people? And then after a lot of discussion, partly in collaboration with their local Men, they write up and seal with Power a Constitution that establishes an oversight body of political, economic, craft and etc. experts to oversee and have veto power over popular elections to kingship from a slate of candidates chosen by the current/soon-to-be previous king, on a strict thirty-year schedule. There, that should stabilize the whole messy business of mortal succession!

Also, 1300 years or so into the Third Age when this version of Gondor hits its equivalent of the Kin-Strife, Annatar takes advantage of its weakness to initiate a plan he's been contemplating for a while, especially while gaining local insight into a variety of nation-states and their management, and returns to Oroduin to forge what may he his last Great Work...a new standard of currency.

It’s called, in the common tongue developing from Adúnaic and Sindarin, the “mira”, pl. “miran”, from Quenya “mírë” (“jewel, precious thing). Where pettier currencies are based in gold or silver or the might of some particular empire, these hold value Because a Great Maia Said So—indeed, Sang So, Sang a new line into the Great Music that these coins would always have a value of…whatever he said so, if he updated a petty lyric or two of their Song. Those who use the coins don’t need to know this; they simply intuit, with coins in hand, what they are worth.

(You can lead even the mightiest empire by the nose if you control the price of grain alone, much less other commodities, or one currency relative to another. Each minute adjustment takes Power, especially to shift the natural balance of multiple interlocking goods…but Annatar is a master of the perfectly placed lever with which to shift the world.)

Maybe at some point the Valar are like, “okay, I think they don’t irrationally hate us anymore, I think this could work” and send a small group of Maiar to openly, humbly approach Annatar and Celebrimbor and ask if they might be apprentices in the craft of…whatever the fuck is happening here. Or maybe something adjacent, because Pallandro and Alatar would really like to fuck off into those excellent looking woods and hunt the remnants of Ungoliant’s spawn, and Radagast actually wandered away 5 minutes ago to talk to a bird. He’s gonna be a while. But Curumo and Olórin are listening politely!

…Or maybe not. Maybe it’s just the Jewelsmiths, slowly becoming folklore, bettering the world (and manipulating wide-scale economics) one stone at a time. (They’d still be the “Jewelsmiths” anyway, even if they included those who, in another universe, were called “The Wise.”)

As stated in the third Dave the Balrog post, they do Sail eventually, several centuries after Arwen’s death. Celebrimbor just gets tired, and Annatar can’t fix it. Ossë spends the whole voyage backstroking next to their ship and sarcastically quoting Annatar back at himself, Years of the Trees insults about being made weak and pathetic by love, until Annatar nearly lunges over the side as a wolf to tear his throat out.

[yannisdesk]

Issues With Act 3: A Tier List

I couldn't find the gif of teen Vi making her angry face, but this will suffice. Anyways I have some bones to pick with act 3.

Tier 1: "Oh, the misery!" - Major Problems

I'll be fuming about these decisions for the foreseeable future.

Jinx death/the implications of her being dead (I personally believe a lot of evidence points to her being alive, but for the sake of this post and intentions - we'll talk strictly about what's on screen). Stop killing off mentally ill characters like this, please. To say it's deserved because she's committed acts of violence is stupid. Every character, with the exception of Ekko, has committed acts of violence that had brutal, unfair, or unwanted outcomes - and Jinx is among the ones where her violence is more understandable.

Caitlyn never apologizing for what she did in act 1. Vi calls her out on it and I thought we'd get somewhere, but no. Everyone else just kind of glosses over that she gassed people in act 1 which definitely led to some deaths. No apology to Vi either for gun-butting her. You can argue that it happened off screen, but seeing that ON screen, especially when Vi & Jinx having to verbally voice theirs, is just shitty. What's the point of having her scene in the opening credits be so stressful and guilt-ridden if she's not allowed to express that guilt beyond a word and expression or two? It also cheapens the theme of forgiveness this season because they first step to receiving forgiveness is apologizing. Act 2 understood this better than Act 3, given that in Vander's letter to Silco, the first thing he does is apologize.

Do we need to go over the implications/optics of the wealthy, privileged girl who gets to act out not really facing any consequences for her actions and getting to redeem herself in defending her city, but Jinx, disenfranchised and poor, needs to be fatally punished? Here's a hint IT'S BAD.

The whole Zaun and Piltover plot being dropped in general. We see Sevika join the council in the end, but that's it? Was independence off the table now? WHAT CONVERSATIONS HAPPENED OFF SCREEN THAT LED TO THIS BEING THE SOLUTION? Is anything worth a damn actually going to come from this arrangement? Also Piltover getting all of them councilors while Zaun gets one representative? *deep sigh*

Corruption with the enforcers being dropped like a hot potato. I guess that just stopped being something people cared about despite it being thoroughly critiqued by the narrative from the beginning of season 1 until now.

WHAT HAPPENED TO THE FIRELIGHTS TREE???? No one talks about it anymore. Did it die while Ekko and Heimerdinger were in the alt-timeline, did it hold out, was it healed once the hexcore was destroyed????????????? WE NEED ANSWERS.

Tier 2: "Spare the sympathy" - Middle-of-the-Road

These problems aren't necessarily deal-breakers, but irked me none the less.

No one can no longer call Viktor "Zaunite Jesus" because that was clearly 15 year-old Vi lol. What do you mean in an alternate universe she dies during the heist in S1E1 and then all of a sudden there's peace between Zaun and Piltover??????? All I can think of, is that after seeing how this poor kid was killed while trying to provide that set off some sort of chain reaction where Piltover and Zaun agreed to make peace to stop this sort of thing. I could actually buy that, however, just, why????? Vi already blames herself for everything so why validate that?! Also, I'm not saying it's impossible for alt-timeline Jinx to turn out healthy and well-adjusted, but, she had to cradle her older sister's corpse in her hands...there's a fair chance she'd still become Jinx.

No one finding out that they were all within centimeters of each other during the day of the heist. Arcane loves to do full-circle moments and endings, but somehow in the midst of stuffing the season with everything they could, they somehow couldn't do this which was on a damn platter sitting for them.

Tier 3: "I'll never be a saint" - Minor Problems

Had only these problems existed in act 3, I would've considered it perfect.

Not seeing the conversation that led to Ekko convincing Jinx to join the battle. Kind of minor because we see him convincing her out of ending her life, and we can gather that conversation from episode 7, but still, I feel like, given how down we see Jinx, that's something that should've been shown.

Having Caitvi bone in a prison cell. I'm split 50/50 on this, because on one hand - that's a place rife with Vi's trauma. On the other, it's symbolic for other things (no, I'm not talking about the fact that it's where they first met) that I kind of give it a pass.

[utdrmv-confession-box]

Transcript: It's kinda weird that sans remembering no-mercys is specifically so popular in fanon when those are the runs that NOBODY, flowey included, remembers. Its...it's a plot point that we can only 'true' reset at the end of no-mercys and pacifist. Scary angst idea for sans if he HAS to remember resets and reloads would be him remembering every reset except for no-mercys (and true pacifist if your brain is massive and swag).

The world literally gets erased and remade at the end of it. Unless the frisk/player/chara character Is only reloading/resetting after they kill sans I dont know why there's such a precedent that he would remember them.

Like... imagine an au where sans can remember resets so he knows to be wary of the kid, he remains friendly on pacifist but his only idea of how bad it can get is the queen alphys, aborted no-merycs and other endings and follows the script accordingly, except one day, and he has no clue why, they do a pacifist run and then just.. stop. Suddenly the kid is wary of him instead of the other way around, and suddenly he realizes their was a timeline that happened that he has NO clue what happened in. The exestional terror of knowing what he thinks are the worst endings could have been so much worse and he has zero clue what happens in them. Idk how to explain it I'm just rambling atp.

Flowey fans are the only ones who play around with the idea of flowey remembering everything except for no-mercys ie: they’re the only ones in this fandom having fun /jk /jk /jk. (Sans not remembering you're pacifist is also something I want to play around with in a fic. If he HAS to remember I'd like him to be in the dark about a few things, flowey can remember pacifist tho, he deserves the angst of getting to the surface only to have it ripped away from him much more + it'd fuck him up more than it would sans. Chewing on him)

[catsushinyakajima]

arcane s2 act 3 spoilers below the cut

I think Jinx is alive. To be specific, I think Powder is alive.

In one of the very last scenes, we see a glimpse of someone who STRONGLY resembles Powder from the alternate universe as people are performing funeral rites. It could be some random jinxer, but Riot Games is never one for coincidences.

I have more backing than this. In the last scene of s2 ep7, we see Powder opening the drawer of hextech. Now sure she could use it for general technological purposes now that they've experimented with it, but you know what else she could use it for? Time/space travel.

Why would Powder want to travel through time and space? More specifically, why would she want to travel to where our Ekko is going? Because Vi is alive in our universe.

Powder knows that. At the tree, our Ekko talked about how Vi was alive in his "dream". And Powder would've believed that it was just a dream, except for the fact that she saw our universe's Ekko. She's smart. She understood that he had truly been from somewhere else. Somewhere else where Vi is alive.

Additionally, everyone was telling Powder about how she has so much potential and that there's more to her life than this fixed position. That she should explore more things. It could be simple sentiment, but Riot Games is not one for meaningless sentimental dialogue. Everything impacts the plot. Powder travelling to our universe could be her doing more with her life.

Every dead end I had about this has some explanation. Ekko took the time machine with him! This would've been an issue except Powder opened the drawer of hextech stones, which she can use to build her own one. Powder has everything she needs in this universe! Wrong, Vi is dead.

Riot Games never does anything for no reason. Everything furthers the plot. No details are random or just like that. Vi being dead in their utopian universe shows no significance or parallel to the plot line before. But it serves as motive for Powder to travel to our universe. Similarly, Powder seeing our Ekko isn't random either. She needed to know that that universe exists in order to chase after it.

Some people are saying that Jinx, our Jinx, survived the massive explosion with Vander. I think there's substance to that theory but not quite as much as this theory. It would be very cool if both were alive and in the same universe. We'll just have to see what the next show depicts.

[wren-galathinyus]

a little late to this game and I can't even give my full notes like the previous two times (I'm at work and can't do the second watch through I do to take note of my thoughts) but I would like to scream regardless, sp here are a few disjointed thoughts and feelings I'm screaming into the void!

as always, spoilers for arcane, the final act, under the cut

-LESBIAN SEX LETS GO WE FUCKINGGGG WOONNNNNNNNNNNNNN 🎉🎉🎉🎉🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈

-but on a serious note for that thought, I'm so fucking happy that we got to have this. these two complex, beautiful, awful amazing women who are unapologetically queer and finally get their shit together to realise, the world isn't gonna wait for us, let's have sex, let's enjoy it. the fumble that vi makes with caits fancy belt, the delicate and healing way that cait holds and undresses vi, the full shot of vi's back tattoo, the fact that they can't keep their hands off each other and can't stop smiling! fuck! this was everything to me if you couldn't tell. also so much appreciation to the fact that this scene is an exact parallel to their first meeting!

-yes Mel get it with your sexy golden magic. I can't wait for the spin off series that will come from thus show cus I think it'll explore the black Rose and noxus war and I can't wait to see more of them!

-cait fighting desperate and dirty while still being so smart you have my heart (also cait with an eyepatch, fuccckkkkkkkkkk

-Maddie's betrayal lol, and the thanks for the warmth, bitch what warmth, cait was so mean to you even when you were sleeping together 😂

-the alternate reality???? oughh, oug oww, I need to lie down and cry for a whole week about that. everyone being alive except vi??? that shit hurted. also, domestic and therapised powder was everything I didn't know I needed and I'm so glad that when ekko figured out the anomaly that that timelines ekko came back to her. timebomb so cannon (also adore ekko for this entire act, every single second of it)

-jayvik mutual destruction is so them actually, and I'm glad they were together in the end. also sorcerer older vik had to be my favourite of his character designs. he looks so soft and at peace

-ambessas death is really not something I though we would see, or at least not in the way that it happened. but it's almost bitter-sweet that her death was nesacary for Mel to graduate to wolf in her eyes

-look, heimerdingers sacrifice was cute and heartfelt, but I really didn't have any attachment to the guy and was just glad that ekko made it home. very cute little song though

-Jinx is fucking dead and I hate it. yes it was in character, she did her one last good thing and just wanted to rest, but damn why did it have to be like that , but on the other hand, it leaves open the spot for powder to take hold of the narrative, because don't think I didn't see those hextech gems girl. she is everything to me and I really hope she's apart of whatever story comes next (I'm praying that powder gets to see vi all grown up, and that her older sister is okay, and that vi gets to see powder, the girl she might have been, and also that vi can see her brothers all grown up) (but that's all just wishful thinking)

-btw!! I always had faith in the writers. I love how this season came out on the full. it's absolutely amazing to me how they have managed to create on of if not the highest quality animated TV show ever. it was admittedly rushed, and I would have loved to see all these plot threads tugged at thoroughly before being tied up, but I still think what we got was a masterpiece

-jayce I did not like you in season one but I loved you in season two, and I held out hope that we would see why you did what you did, and it was so fucking perfect I would like to kick all of the jayce haters, just a little in the shins

-back to Jinx, it was genuinely so heartbreaking to see her catatonic over the loss of Isha and I hope they're together again now

-final form (herald) vik was pretty cool I like how it looked compared to his LoL design

-cait and Mel team up was something I didn't know I needed but damn it was good. the gays and girl kissers were eating well this weekend

-the animation of powder and ekko dancing? think I'll just go cry for another week for that alone, and their kiss!!??!? screaming crying

okay that's all I can think of for now. I may post more, I may not. I will absolutely be reposting like crazy though. agree or disagree with me, I want to hear your thoughts!

[kassandras-one-braincell]

Ranting into the void about Act 3 because I loved it, but episode 9 needed to be two episodes.

Ekko's arc and involvement in the finale was flawless. Phenomenal. Episode 7 was some of the best cinema I've ever had the pleasure of watching, and definitely the best execution of time travel I've ever seen. The 4 seconds limit was a lovely nod to the game.

I was not expecting Heimerdinger to die. Didn't think that was an option. Rip Donger :(

Jayce and Viktor's entire journey was fucking incredible. The whole Glorious Evolution trajectory was so good, but the war against the Evolved needed to span over two episodes. Going from plotting to conclusion in a single episode wasn't the right call. But beginning to end, Jayce has remained one of my favourites, and his conclusion felt right.

I'm overjoyed that Mel got a full arc, and there's no doubt that Riot's next show (if there will be one) will heavily involve Noxus. She's so beautiful. I'm gay. My only complaint is that the Black Rose's involvement felt a bit hasty, and I personally might have struggled to follow the end and Ambessa's death if I didn't have good knowledge of LoL lore and the Vision's intentions. Nonetheless, I'd be ecstatic if Mel made an appearance in any future developments.

Loved the Orianna cameo in the end, especially since she's the only living remnant of the Glorious Evolution. And honestly, I'm fine with Singed's war crimes having a lack of consequence. He played both sides with selfish intent, loyal to his daughter and nobody else.

Sevika being used quite heavily in the marketing of the final act, only to have about 20 seconds of screentime, was unfortunate. Especially since her character is a metaphor for Zaun. If the last act was a bit more fleshed-out, and if she rallied a few more people to beat up the Evolved (maybe with some of the chem barons' henchmen), her arc would have been more opaque. But hey, 4th arm's the charm. Her getting a seat on the council was necessary for a future of a joint city-state.

Maddie betraying Caitlyn wasn't much of a surprise, but it was satisfying to watch unfurl. I thought her proximity to Caitlyn beyond being sexual partners was a bit off. Mel deflecting her bullet was amazing.

Caitlyn was a consistently interesting character. Her leadership skills and flaws made her a joy to watch. The ending with her at the Kiramman computer-like thingy was lovely, because it hinted that Jinx never really died along with the outro shot of the blimp. I just wish the evolution of her relationship with Vi went a bit smoother. Them fucking in the middle of a prison cell after a suicidal Jinx disappeared in front of Vi felt like lazy writing/fan-service, honestly, and I say this as a lesbian. I would have loved a bit more humanity.

Don't have much to say about Vi. Really glad she finally, after how many years, got a short moment to grieve Vander and Powder. But another episode was needed. She got lost in the sauce, which is my only major grievance about the show, because everything began with her and Powder.

Jinx, comparatively, got a satisfying ending. Powder got something of a rebirth, and the hints that she slipped away into the ventilation system and escaped Piltover/Zaun on a blimp gave her justice. Ekko doing all he could to stop her from killing herself wouldn't have achieved much if her arc concluded with her death. Her cutting her hair to resemble Vi's weird mullet nearly made me throw up from joy and sadness. She was the perfect tragedy.

Overall, I'm happy with the conclusion, except for how Vi's character was handled. The show as a whole maintains its status as the best fucking thing I've ever watched. I really hope that if Riot does decide to expand their cinematic universe into another show, they learn from their pacing errors with the Arcane finale. Because Piltover and Zaun are tiny regions in a massive universe, and they got this masterpiece in their honour. Noxus has so much potential. I think the crow at the end and the Black Rose's intertwinement is hinting at this quite heavily. Fingers crossed.

[physalian]

Wicked (part 1) was a solid adaptation

Saw Wicked last night. Only seen the musical once and for a movie longer than both halves of the original combined, the extra added minutes aren’t wasted. I can't exactly praise a movie for storytelling when its legwork was done near beat-for-beat already in the musical, and in the original book, but if you haven't or won't see anything except this film: Yes, it has a very good story.

But I want to talk about what I think is the best example of a “maybe they weren’t so terrible after all” villain redemption retcon, of which Elphaba is kind of the poster child of this whole trend. Why she works, and why something like Cruella did not. Not specific to this version at all.

Quick synopsis: Wicked is an alternate telling of the events before The Wizard of Oz, the backstory of the Good Witch Glinda and the Wicked Witch of The West. It is not the story of how good triumphed over evil, how Elphaba devolved or perhaps was always mean and nasty and underdog Glinda saved the day.

Instead, it’s a deeply political (and whoo boy is it relevant today) smear campaign against the disenfranchised and the minority population of Oz—the talking animals. Elphaba is the underdog, an up-and-coming bright-eyed sorceress taken under the wing of her magic school’s legendary professor, with hopes to one day meet the Great Wizard of Oz. There she meets mean-girl Galinda and for about half a classic mean-girl storyline, the two are enemies. Galinda makes amends, the two become friends, and they go together to Oz to meet the Wizard…

Who is an even worse man behind the curtain than in the ‘39 movie, a charlatan and a fraud, who, when Elphaba refuses to let him abuse her magic to scapegoat the talking animal community, launches said smear campaign, turning Elphaba into a pariah. Galinda (now Glinda) stays behind as the events of Wizard of Oz play out, using her socio-political savviness to help Elphaba where she can. Oh, and the melting? Well, the Wizard isn’t the only master of illusions.

—

The ingredients are all there for a ridiculously base “girl boss” plot about this OP Mary Sue who just will not get taken seriously by the ugh “men” around her (and this is absolutely a feminist storyline screaming high notes from the rooftops) until she shows them all they’re idiots and fools and she’s amazing. The bullying classmates, Glinda’s narcissism, Elphaba’s unprecedented raw power with magic.

Except it has the one thing so many recent “girl boss” movies don’t: You like Elphaba and she’s not perfect, and, you like Glinda (eventually). She’s not arrogant and flawless. She’s introverted and can come off as rude and unfriendly but she just lacks foundational relationships to help her socialize, and in the face of the shallow dipshits at her school, she has every reason to be rude and unfriendly.

Glinda, too, is naïve, but not cruel, save for one moment where she immediately owns up to it once she realizes how badly she screwed up, risking the thing she cares about most—her reputation and popularity and likability—to help a girl who selflessly gave her the other thing she cares about most: The chance to also become a sorceress.

But most importantly: Elphaba is a victim, not the architect of so much of this story. Mary Sues do everything right without any effort, they don’t struggle, they don’t overcome any fears or prejudice or limitations. Elphaba isn’t the one loudly and proudly demanding an audience with the Wizard. She isn’t going around praising herself and her abilities. She has a lot of power, but never learned how to use it, and she doesn’t luck into her story, she’s explicitly, strategically manipulated into her role.

She'd be more of a Mary Sue if the Wizard's offer was genuine and he was actually a good person, then she really would have lucked her way into fortune by virtue of being inexplicably adept at magic. But she's not, and he's not.

The story manages to build her up without dragging everyone else down. Nor does she "turn evil" because the Wizard doesn't respect her for being green, or a woman, he doesn't give a shit, he just wants what she can do for him. She "turns evil" because they have deeply different philosophies and he's standing in her way and she has no other choice but to flee and become a fugitive. She chooses this, the Wizard doesn't kick her out.

But even before that, Elphaba does become popular, her shallow classmates do start to like her (disproving any notion about how the world will hate her no matter what she does, so fuck ‘em), Glinda does actually have a heart and she is smart, just in a very different school of thought from Elphaba. The influence of the Wizard is just so strong that of course they’re going to believe his lies.

It’s not a story about how “this villain was actually the victim of a Tragic Backstory and you should feel bad for them because it’s even sadder than the hero’s” it’s “this villain was actually the victim of a smear campaign, and the heroes are still heroes, but here’s the other side of who they were fighting”.

But it also works because of the story that it is. Ignoring the actual Oz books (and there are many of them): Precedent already exists in the ‘39 movie—the Wizard is already revealed to be a charlatan. Wicked doesn’t rip up the old script, tell you you’re wrong, and then plop in a whole new story that fucks the continuity. Nor does it ask you to change your mind about a villain who doesn’t really deserve redemption in the first place, like, say, one who skins puppies to wear their fur. Instead, it digs into the fissures that were already there and pulls up the rocks to reveal what’s underneath.

And, Elphaba knows she’s going to be seen as a villain, but she’s not happily engaging in “villainy”. She’s doing what she thinks is right, something the audience should agree with, and is choosing to become a pariah to get her way. She never becomes a “villain”, just the antagonist to the hero’s journey, and I don’t remember the ’39 movie perfectly, but “this little rat from another world dropped a house on my sister and is on her way to kill me, too” would make one justifiably upset.

But overall, it’s just a story with layers and nuance that’s sorely missing in its contemporaries, and, like I said, deeply political without strawmanning either side (wellllllllll...). And, it respects the source material.

I also don’t remember the first Maleficent that well, but I think that also did a good job? Back when the live-action remakes weren’t all hot garbage.

So. Yeah. You want to write a powerful female character very explicitly being a feminist icon (and the consequences that come with it)? Elphaba is the perfect example.

[david-blackthorn]

I havnt read those books in the shadowhunter chronicles yet, what are your favorite things about them? (Im curious whether I should read them or not since I have such a big tbr already)

Oh maaan you're in for a ride

I have no idea which series in the Shadowhunter Universe you meant exactly but i'll start with my fav

Part I:

The Dark Artifices:

Do you ever feel like your soul needs a good mix of romantic pining, chaotic battles, and emotional devastation? The Dark Artifices is calling your name.

But seriously if you love stories that combine heart-pounding action, deep family bonds, and characters so real you’ll find yourself thinking about them long after you've finished the books? This is the series for you!

This series follows a family of Shadowhunters in sunny Los Angeles (yes, there are beaches AND demon fights) as they deal with forbidden love, ancient laws that make no sense, and plot twists that will leave you staring at the ceiling at 3 AM like: what just happened.

It’s got:

Two people who can’t be together because of reasons but have enough chemistry to destroy you.

A goofy warlock with more secrets than anyone is ready for.

A soft boy who paints and probably writes poetry but will absolutely murder you if you hurt his siblings and childhood friend.

A broody faerie loner who says “I work alone” but would probably die for his friends.

“I would die for my siblings, but also, they’re so annoying” energy.

Found-family dynamics that will have you texting your friends, “DO YOU SEE THIS?”

And, of course, the *painful but addictive* mix of love, loyalty, and chaos...

Enemies-to-lovers? No, wait—friends-to-lovers? Actually, it’s more like "reluctantly obsessed but too emotionally constipated to say it."

Three people staring dramatically at each other like ‘Is this polyamory or a REALLY complicated love triangle?

Characters who will make you scream, “JUST COMMUNICATE,” but you’ll love them anyway.

Enough family angst to fuel a therapy session for years.

A genius, autistic boy who solves mysteries but can’t solve the mystery of his own feelings

Main characters? Let’s just say there’s a parabatai bond that’s more complicated than your high school crush.

The plot? Fast-paced, full of betrayal, and packed with vicious fight scenes.

The family? Everything is fine...except when it’s not.

The romance? You’ll laugh, you’ll cry, you’ll probably scream and definitely ship things that should not be shipped. :)

Basically a murder mystery, faerie politics, and the most relatable struggle of all: Trying to keep your family alive and well while the world is falling apart.

Fair warning: you’ll never emotionally recover (and you’ll love every second).

part II:

The Mortal Instruments:

If you’re looking for a fast-paced urban fantasy series full of adventure, humor, and heart, you need to pick up The Mortal Instruments.

It’s got everything: shadowy secrets, epic battles, forbidden love, and enough twists and turns to keep you hooked from start to finish. Plus, the friendships and family bonds will hit you right in the feels.

If you like:

Hot people with emotional trauma

Family dynamics so messy even you would say "y’all need therapy"

Enemies-to-lovers-to-enemies-to-allies-to-love(maybe) but make it *gay*

Bonus gay dads with actual functional communication (because someone has to balance the chaos)

A love triangle that's not technically a triangle, but don't worry, it'll still destroy your soul

If you do then babe, let me introduce you to The Mortal Instruments:

It’s like Twilight, but everyone fights better is hotter and has sarcasm set to ✨maximum damage✨.

You'll question the characters' life choices, then realize your own aren’t much better.

There’s an overachieving golden boy with a superiority complex who definitely Googles his own name but is secretly baby.

A girl who just wants to vibe and maybe not be surrounded by apocalypses, but alas.

A cinnamon roll nerd who says, “I don’t want to be here,” but somehow ends up saving the day every time.

And a guy who walks in like: "I’m too goth for this mess," but then adopts everyone and pays for dinner.

The Mortal Instruments is what happens when an ex fanfic writer starts a writing carrier and makes a book series: chaotic, emotional, weirdly self-aware, and packed with heart. Read it. Your inner emo kid will thank you.

Bonus:

The plot? Like Supernatural on speed.

The dialogue? Whedon-esque but with more sass per square inch.

The drama? Every fanfic writer wishes they wrote this level of ✨chaotic bisexual disaster energy✨.

If this sounds appealing, congratulations! This series was literally written for you.

part III:

The Infernal Devices:

The Infernal Devices by Cassandra Clare is an absolute gem of a series, blending romance, adventure, and a touch of Victorian-era steampunk. If you love books with unforgettable characters, heart-wrenching love triangles (in the best way), and a beautifully atmospheric setting, this is the series for you.

It’s full of witty banter, emotional depth, and a story that stays with you long after you turn the last page. Trust me—there’s no ‘right’ team to root for, but you’ll love every moment of trying to decide.

The plot? Wild.

The romance? Devastating.

The side characters? Hot, chaotic, and probably more interesting than the main ones in most other books you’ve read.

Let’s not forget:

The Victorian Aesthetic™ (it’s giving Pinterest board).

A robot army that would make Skynet say, “You okay, bro?”

Poetry recitals that feel like life-or-death declarations.

And more tragic backstories than a Shakespearean play.

It's got:

a steampunk version of London where demons and shadowhunters roam the cobblestone streets, and your biggest problem isn’t the fog, but the ✨existential dread✨.

There’s a protagonist who just wanted to read books but accidentally became the center of everyone’s emotional drama (relatable queen).

A golden retriever boy who’s so perfect it physically hurts and is slowly dying.

And a sad boy™️ who looks like he stepped straight out of a My Chemical Romance album, only with a reading obsession.

A love triangle where instead of fighting, the two love interests are like, ‘Hey, what if we all just loved each other?’

Friendships so deep they’ll make you scream, “WHY CAN’T THE WORLD LET THEM BE HAPPY?”

A heroine who’s like, ‘Do I choose the guy who might secretly hate himself more than anyone else alive, or the literal angel in human form?’ (Spoiler: she chooses both. Iconic.)

Brooding boys who quote poetry in life-or-death situations (because of course they do).

*A love triangle where instead of fighting, the two love interests are like, ‘Hey, what if we all just loved each other?’

Start with Clockwork Angel and get ready to laugh, cry, and ugly sob over Will, Jem, and Tessa. But be warned: this series will RUIN you in the most beautiful way possible.

I won't write a summary of The Last Hours since i haven't finished it yet sorry babes, but hope you liked these *mwa*

[rose-morose]

I think the writers kinda forgot this show was called "Arcane" in season 1, and were really trying to make up for it in season 2

like I'm sure they planned it all out, but I like to imagine that the writers finished up writing season 1, and then they turned back to the front of the script where the title "Arcane" was printed and went, fuck we totally forgot about that

throughout season 1 I thought that Arcane was kind of a weird title because, with the exception of Jayce's story, hextech and magic weren't that much more relevant to the plot than shimmer, and the magic aspect of hextech was largely forgotten in the later episodes and not really brought up that often

and then we get to season 2, and everyone except the lesbians goes on a crazy journey that somehow forces them to interact with magic in just the most insane way, and the word arcane suddenly gets dropped in like every other sentence in act 3 whereas before it didn't even get said every episode

Jayce, Mel, and Heimerdinger all stop being boring, and everything just flies off the rails in the most ludicrous and unpredictable way

I could never in a million years have predicted that this would be the outcome of the show

[tallwriter]

Well, ok. I still don't think the Sentimonster plot did anything except take away Adrien's agency, and I never thought Sentibug's death was equal to a real person's death. Anyway, how will you feel if everything that's happened DOESN'T lead to any payoff? I've heard them saying that season 6 is going to be like a new start.

thinking about how Marinette and Gabriel are the same

and how Nathalie is going to be uniquely positioned to be able to see that from within the narrative

i wanna see season 6 Nathalie project Gabriel onto Ladybug. i wanna see her fall in to old habits to both her and Marinette's detriment.

and i wanna see her recognize the worst aspects of Gabriel in Marinette and guide her away from them